Guild of Photographers Guild of Photographers Journal Guild of Wedding Photographers Guild of Photographers Directory
About Us Benefits of joining Guild Training Contact Us Find a Photographer
 
 

Guild Online Journal - Alan Hawkins Diary

 
 

MENU

  Homepage
  Titbits
  Profiles
  Portfolios
  Reviews
  Letters
  Alan Hawkins
  Phil Flowers
  Offers
  Adverts
  Archives
  Login/Blogs
  Mind Studios
 
 

 
 

"Weddings are fast paced events and you need to be totally prepared"

 

"One of the most difficult things to learn has been exposing correctly"

 

"I advise you to have a spare of everything"

 
 

 
 

The Guild of Photographers and
The Guild of Wedding Photographers

Moorlynch Vineyard, Moorlinch,
Somerset TA7 9DD.

Tel: 01278 723217


 
 

 
 

CURRENT PORTFOLIOS

Craftsmen:

Keith Parkes
Maisie Dougal
Steph Burnett
Mark Fisher

Click to View



 
 
 
 
 

Alan Hawkins lives in the Wirral and is determined to progress from part-time to full-time photographer. This year he accompanied me on several weddings, making the long journey to Somerset each time, and captured some great shots. He has promised to keep us informed of his progress and we hope that any of you in a similar situation will be inspired to follow his lead.
Alan would also like to meet up with any other members in his area—contact him at alanhawkins@btconnect.com to arrange a meeting or social get together.

 
 

 
 

Be Prepared!
Following on from my first notes regarding my (hopeful!) transition from amateur photographer to professional, I thought some of you may be interested to know what I've learnt along my journey so far.
I've shot four wedding this year, thanks to Joan, Director of The Guild, and all of them have been extremely valuable learning experiences. I think the following are some of the most important points to remember, especially if you are, like me, an experienced photographer but new to wedding Photography:

Check your gear and be prepared.
Weddings are fast paced events and you need to be totally prepared. Of course you need batteries charged, memory cards blank and all your gear in order. Think about your shots in advance, consider composition, position and exposure. Find out where the bride will be arriving - at which entrance, where and at what time the guests/groom will be arriving. I found it helped me to mentally rehearse the shots in advance and walk around the venue beforehand to pick out suitable locations for pictures.

Have important gear to hand.
Whilst photographing one wedding, and at the point of confetti throwing, I had what I thought was a lock up from shooting too many frames in rapid succession. It was in fact a full memory card. Not only had I not checked the available memory as I went along but spare CF cards were in the boot of my car – Doh! Ok, in this instance it didn't matter because Joan was there to cover, but it might have been disastrous in different circumstances.

Get the exposure right
One of the most difficult things to learn for me has been exposing correctly at such a rapid pace. I quickly learnt that it was Ok to crank up the ISO to it's max on occasion - better to get the shot at high ISO than not at all.
And exposing for sunlight! What's that all about? White dress, dark suit, an exposure nightmare on a very sunny day. Joan's advice is to shoot in the shade where you can and expose for the dress, – after all, the bride is the one choosing the photos at the end of the day Joan advised me that -1 EV will usually be ok for the dress if shooting digital. Again - it comes down to preparation and on that note I choose to shoot RAW.

Shoot RAW
For those people shooting digital I like to shoot RAW. Shooting Raw has saved my inexperienced bacon more times than I care to mention. Pushing things to the limit on the Raw conversion can produce 2 stops of exposure recovery and whilst it slows down your work-flow considerably there are many other advantages that make that extra time worthwhile, such as achieving a higher dynamic range by converting more than one exposure and merging two or more Photoshop layers.
A major advantage is not having to worry about white balance in mixed or changing lighting conditions, this can be adjusted afterwards. Once a jpg is shot the white balance is fixed and colour correction is much harder. Highlights and shadows can also be recovered more easily - this has been made even more simple with Photoshop's new CS3 raw processor and Lightroom.

Duplicate your kit and carry your gear correctly.
I advise you to have a spare of everything in case of damage. I have been known to drop my 70-300mm Canon lens on the floor in my haste to reach my gear. Not good. Equipment insurance is also a must in case things go wrong.

Keep on learning.
Joan has been an invaluable mentor, never too critical of my mistakes, (I know myself when I have made them) and always had good advice to offer. I would also say get as much advice/inspiration as you can from books, magazines and other photographers and take more photographs to improve your technique.

 
 

 
  Homepage    •    Titbits    •    Profiles    •    Portfolios    •    Reviews    •    Letters
Alan Hawkins    •    Phil Flowers    •    Offers    •    Adverts       Archives   •    Blogs   •    Login
 
 
 
  © 2008 GHW for The Guild of Photographers - Moorlynch Vineyard, Moorlinch, Somerset TA7 9DD. Tel: 01278 723217